Biography

Starting at the age of 9, Yoshiko Tsuruta learned Marimba privately from Yukiko Sano in Japan.
After relocating to New Zealand in 2004, she graduated from the New Zealand School of Music in Wellington in music performance in 2010, having studied under Bruce McKinnon, Laurence Reese, Bud Jones and Jeremy Fitzsimons. She moved to Austria in 2010 and has completed her Master’s Degree (1st Class) at the Anton Bruckner Privatuniversität in Linz. There she studied marimba with Bogdan Bacanu and percussion with Leonhard Schmidinger.
Yoshiko has won several prizes both in Japan and New Zealand, including the 1st prizes in both the New Zealand School of Music Concerto Competition and the New Zealand National Concerto Competition, and the Brass/Percussion Prize in Gisborne Competition. She reached the semi-final of the International Marimba Competition in Salzburg in 2012. Most recently, she received the 2nd prize and all the extra prizes at the International Australian Marimba Competition in 2016.
As a soloist, Yoshiko has performed in several concertos on marimba with different orchestras, including Christchurch Symphony Orchestra and St Matthew’s Chamber orchestra (Auckland). She was the principal Percussion of the National Youth Orchestra in 2008 and is currently the principal timpanist of Opus Orchestra.
Since returning from Europe Yoshiko endeavours to promote classical percussion in New Zealand, especially the marimba. As one of the very few dedicated “marimbists” in the country, she gives solo performances as well as chamber music with various artists. In 2016, she formed a marimba/percussion duo with Jeremy Fitzsimons and toured NZ for Chamber Music New Zealand. She also appeared in the comtemporary music ensemble STROMA at the New Zealand Festival in 2018.
Her repertoire includes new commissions from various composers and her own arrangements, with which she explores the expressive possibilities of the marimba beyond the stereotype as a percussion instrument.
Yoshiko also teaches and gives master classes/workshops on different occasions.
… elegance, in complete control of every movement, and hence of every sound of every musical, mesmerising, moment…”
...Tsuruta’s playing is all about the phrasing, conveying the truth and inner meaning of the music to the listener.”
…absolutely impromptu, audience driven, foot-stamping, hand-clapping, cheeringly enthusiastic standing ovation given Tsuruta's inspired virtuosity…”